Orpheus Chamber Orchestra is a radical experiment in musical democracy, proving for over fifty years what happens when exceptional artists gather with total trust in each other and faith in the creative process. Orpheus began in 1972 when cellist Julian Fifer assembled a group of New York freelancers in their early twenties to play orchestral repertoire as if it were chamber music. In that age of co-ops and communes, the idealistic Orpheans snubbed the “corporate” path of symphony orchestras and learned how to play, plan, and promote concerts as a true collective, with leadership roles rotating from the very first performance.   

It’s one thing for the four players of a string quartet to lean into the group sound and react spontaneously, but with 20 to 30 musicians together, the complexities and payoffs are magnified exponentially. Within its first decade, Orpheus made Carnegie Hall their home and became a global sensation through tours of Europe and Asia. Their catalog of recordings for Deutsche Grammophon, Nonesuch, and other labels grew to include more than 70 albums that still stand as benchmarks of the chamber orchestra repertoire, including Haydn symphonies, Mozart concertos, and twentieth-century gems by Stravinsky, Schoenberg, Ravel, and Bartók.